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August 27, 2008
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Shure Mixers and DSP PDF Print E-mail
AuxPander Auxiliary Expander
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Each AuxPander is an insertable, 8 x 8, analog mixing matrix designed to expand the auxiliary output capabilities of any standard mixing console. Compact and transportable, the AuxPander is capable of mixing eight input signals and distributing them to any of the eight available outputs, in any combination, and at any volume level.
DFR22
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Audio Processor
Featuring enhancements to Shure's patented Adaptive Notch Filter Algorithm, the DFR22 includes single-channel and stereo processing blocks with up to 16 precision notch filters that automatically seek out and reduce feedback. With widths between 1/10 and 1/70 of an octave, these adaptive filters affect only the problem frequencies, maximizing system stability and sound integrity. In addition, Auto Clear mode removes dynamic filters and restores the DFR to your ideally-tuned configuration after a specified amount of time.
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DP11EQ
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Single Channel Dynamics Processor
Gain controlling functions -- gate, expander, AGC, compressor, limiter and no-overshoot peak limiter -- can all operate simultaneously.
Supplied WindowsTMsoftware displays the interaction between all of the dynamics processes in one screen.
Additional processing features include two parametric equalizers and over a full second of digital delay. Half-rack chassis with front panel metering.
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DRS-10
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Digital Remote Switch
The DRS-10 consists of three assemblies:
Hardware Adapter: Communicates directly with DFR11EQ Version 5 by converting the analog signal generated by the switch into digital RS-232. Adapter plugs directly into the RS-232 serial port on back panel of the DFR hardware unit.
Switch Assembly: Consists of a 10-position switch that can be customized to select up to 10 scene presets.
Wall Plate Kit: Includes a customized wall plate for the switch assembly, a wall plate label to indicate the switch position of each scene, and a knob to turn the switch assembly post.
FP23
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Portable Battery Powered Microphone Preamplifier
Phantom Power: Selectable 12v or 48v power for condenser microphones
Selectable low frequency roll-off attenuates unwanted ambient noise
High immunity to RF Interference due to transformer isolation, RF filtering, and an all- metal chassis
Battery Operation: 2 AA alkaline batteries provide over 24 hours of operation (phantom power off)
LED Low Battery Indicator: Activates when four hours of operation remain
Innovative battery compartment provides improved weather resistance and easier access for faster battery replacement
Extended Range Peak Limiter: Incorporates dual opto-isolators that make the unit virtually "clip-proof."
Up to 66 dB of gain, adjustable in eleven discrete steps for accurate, repeatable gain settings
Premium quality input and output transformers that provide superior sonic quality and freedom from interference
FP24
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2-Channel Stereo Preamplifier and Mixer
Two transformer-balanced microphone inputs with left, center, and right position mixing capabilities
Unique seven-segment peak output meters, with three selectable levels of LED brightness - readable even in direct sunlight
High current balanced output drivers provide signal integrity over long cable runs
Headphone preamplifier enables monitoring of program audio or external tape return
Ability to link with the Shure FP33 mixer using the A33LK accessory cable to create a highly portable 5 x 2 audio production system.
"Unclippable" input peak limiters with adjustable threshold (each input)
Powered with two standard AA alkaline batteries (11-12 hours) or 4-14Vdc power (PS20)
Switchable low-cut filters with 80 and 160 Hz corner frequencies, 6dB per octave
Phantom power, selectable between 48 volts and 15 volts
FP33
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 3-Channel Stereo Mixer
Exceptionally quiet design, suitable for use with DAT and other digital formats
Extended frequency response of 20 Hz–20 kHz
Dynamic range greater than 100 dB
Transformer balanced inputs and outputs for superior rejection of RFI and electromagnetic hum
Three selectable mic/line inputs
Two selectable mic/line outputs
Wide range input gain controls handle hot signal levels without attenuators
48 V phantom, 12 V phantom, and 12 V T (A-B) microphone power
Pop-up pan pots
Link switch gangs inputs 2 and 3 to control a stereo microphone
Switchable low-cut filters on each input
Bi-color LED signal presence and peak indicator for each input
Professional VU meters with selectable timed or toggled backlighting
Dual clutched Master gain control for simultaneous or separate adjustment of output levels
Bi-color LED limiter and peak indicator for each output
Two linkable output peak limiters with adjustable thresholds and release times
Slate microphone and slate tone with selectable functions
Isolated two-way talk-back using Monitor In and modified Slate Mic/Tape Out jack
High tolerance 3.5 mm jacks for stereo Tape Out and Monitor In
1 kHz tone oscillator
Mix bus jack and cable to link FP33 or FP32A mixers
Headphone monitor mode switch to select L, L+R (Mono), R, or Stereo
Internal headphone level adjustments to balance post–master audio levels and Monitor In levels at the headphone output
Selectable M/S decoding circuit for headphone monitor.
Mixer/Monitor In switch (locking and momentary)
Internal Monitor defeat switch for split-feed headphone operation
Headphone volume control
1/4 in. and 3.5 mm jacks for stereo headphone outputs.
Customized operation via internal DIP switches, trim pots, slide switches, and optional jumpers
Regulated voltage rails (±15 Vdc) provide exceptional headroom
Bi-color power On/Off LED
Battery check switch and low battery warning LED
Non-polarized external power jack
External power operating range of 12 to 30 Vdc
Soft-touch, color coded control knobs with raised position indicators
Metal XLR input and output connectors
Rugged, plated metal chassis
Operates for 8 hours on two 9 V alkaline batteries
Includes carrying case, shoulder strap, and mix bus cable
M367
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 Six Input Portable Mixer
Each M367 handles up to six microphones or line-level signals. Any high-quality, low-impedance, balanced microphone using a dynamic or condenser* transducer (including wireless and shotgun types) can be used. Additional M367 or other Shure mixers can be linked using the rear-panel mix bus jacks.
*Self-powered or operable on 12 or 48 Vdc phantom power.
Six balanced mic/line inputs
Two XLR outputs
Adjustable limiter threshold
Power On, input clipping and output peak/limiter LEDs
12- and 48-volt phantom power
1 kHz tone oscillator switch (mutes all inputs, level control on master)
Mic/line switches on each input and output
Low-cut filter switches
Headphone monitor circuit
Two position Mix Bus
VU metering
Easy-access side battery compartment, with battery check function
Power via battery two standard 9-volt alkaline or 120/230V ac (detachable power cord supplied)
Rack mountable with available A367R accessory
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P4800
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System Processor
Processor blocks to handle post-mix and loudspeaker processing
Shure's acclaimed DFR (digital feedback reduction) algorithm
Parametric and Graphic EQ
20 seconds of Delay
Mono and Stereo Compressors and Limiters
Gate / Downward Expander
Ducker
Automatic Gain Control
2 to 5-way Crossovers
A full 4x8 matrix mixer
Route any of the 4 inputs to any of the 8 outputs in any combination that you want
Adjust signal levels at the crosspoints
128 presets
Any preset can be as different or as similar to any other preset as you want
Set up a series of optimized configurations in multi-purpose systems
External control options
DRS-10 - the easiest way to set up preset control
An accessory from Shure, the DRS-10 provides a 10-position rotary encoder and wall plate for selecting up to 10 presets
Control inputs
Use contact closures and potentiometers as preset, gain and mute controls
Logic outputs
Provide indication of preset changes and mutes
RS-232 control
Fully compatible with AMX and Crestron systems
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SCM262
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Stereo Microphone Mixer
Defeatable "ducking"
"Jukebox mute"
One active balanced XLR mic input channel
One active balanced XLR mic and 1/4 inch TRS line input channel
Three stereo input channels (Six phono connectors)
One unbalanced stereo output (Two phono connectors)
One balanced stereo mic/line output (Two 1/4 inch TRS connectors)
12V phantom power for condenser microphones
All in a half-rack chassis
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SCM268
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4-Channel Microphone Mixer 
Five unbalanced aux level inputs (Phono connectors)
LED peak output meter
One unbalanced aux level output (Phono connector)
IEC power cord connector
12V phantom power for condenser microphones
Built-in low cut filters on mic inputs
Meeting rooms
Houses of worship
Broadcast
Educational paging and public address
Sound system rental
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SCM410
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Four Channel Automatic Mixer
IntelliMix®- the most advanced and effective automatic mixing algorithm available, incorporating:
Noise Adaptive Threshold
MaxBus
Last Mic Lock-On
NOMA (Number of Open Mics Attenuated) - automatic gain adjustment as additional microphones are activated
Inputs and Outputs - 4 balanced mic level XLR inputs, 1 balanced mic/line switchable XLR output, and 1 unbalanced RCA auxiliary output
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SCM800
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Eight Channel Microphone Mixer
Compatible with Shure SCM410, SCM810 and FP410 automatic microphone mixers
Adjustable EQ per channel: low-frequency rolloff and high-frequency shelving
48 V phantom power selectable for each input
Active balanced microphone- and line-level inputs and line level output
Highly RF-resistant chassis and circuitry
LED indication of channel clipping
Linking capability for systems up to 32 microphones
Two Aux-level input jacks that feed one channel
Insert jack on each channel
Manual mixing of input channels
Internal Modification permits 230 V operation (SCM800) or 120 V operation (SCM800E)
Front-panel headphones output with level control
Peak-responding output limiter with selectable thresholds and LED indicator
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SCM810
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8-Channel Microphone MixerEight balanced mic-line input channels (Phoenix block connectors)
One unbalanced 1/4" aux level input
Eight unbalanced 1/4" direct line level outputs
One balanced master line level output (Phoenix block connector)
Selectable 48V phantom power per channel
Level selectable peak output limiter
Full rack width (single rack height)
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